Edge Chroma Aberration

Chromatic aberration is the lens flaw everyone fell in love with: color channels landing slightly apart, fringing edges in red and cyan. C-Suite's edge-aware version concentrates the split where the image has detail, so it reads as optics, not as a lazy full-frame offset.

Push it gently for a vintage-lens look, or crank the displacement until edges tear into pure signal. Like every C-Suite effect it stacks, masks, and modulates — put it after a pixel sort and the streaks pick up the fringe.

Chromatic Separation effects attack color — splitting channels, remapping palettes, bending hue against luminance. Like everything in C-Suite they compose: put one after a structural effect and the color damage inherits the motion.