False Color

False Color maps each pixel's value through a gradient of your choosing — the same mechanism as a cinema camera's exposure tool, aimed at aesthetics instead of diagnostics. From two-tone posters to full surveillance palettes in one LUT.

Chromatic Separation effects attack color — splitting channels, remapping palettes, bending hue against luminance. Like everything in C-Suite they compose: put one after a structural effect and the color damage inherits the motion.